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I, KILL

INOUE Hiroki|Japan|2025|16min |3Dof 360¨¬ VR |Japanese, English

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Synopsis

Kizaemon, a samurai attacked by zombies, manages to escape to a deserted tenement street where he finds his wife, Kiku, and his subordinate, Matahachiro. The story then unfolds a depiction of human relationships as Kizaemon seeks help from the two.
The feature of this work is that you can see it from each character's point of view.
So it is possible to experience a single event from the perspective of each of the characters and their emotions.

Director

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INOUE Hiroki

After graduating from the School of Social Sciences at Waseda University, he worked as a freelance assistant director and producer in the production of films, dramas, and commercials. He also studied under the late director Ishii Teruo and participated in the film Nejishiki produced by Ishii Productions. In 2009, he made his directorial debut with the theatrical release Panic 4 Rooms, a surreal ensemble comedy set in an old apartment in Shimokitazawa, with four screenwriters active in the theater world, including Nozoe Seiji.
He directed and wrote the screenplay for Noroi Utsuri, starring Hotta Mayu, one episode of the omnibus horror film Kurui Hana, which was screened at Shinjuku Cinema Qualite in 2017. His short film Zatsu won the Best Actress award in the Japan category at the Short Shorts Film Festival & Asia 2018, and received high praise both at home and abroad. In 2019, he wrote and directed Yearning for the Witch, one of the films in the third CINEMA FIGHTERS PROJECT anthology film, At That Moment, I Wanted to Cry, which was also screened as a special screening at the Tokyo International Film Festival.
He has also written and directed the theatrically released films Shinshutsu Pomodoro, The Key, and The Unfading Light. The VR film At the Beach, which he directed and wrote, will be officially screened at the 52nd International Film Festival Rotterdam in 2023.

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Producer
Hiroko Fujioka, Katsutoshi Machiba
Writer
Hiroki Inoue
Cast
Shuhei Emura, Fumi Minematsu, Ryunosuke Noda, Chijimi Imai
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Encountering the Virtual and the Real:

A Beginner's Guide to XR

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Unlike simply watching a screen, XR allows you to step into the story space through VR devices. You may become the protagonist, listen to the protagonist's story as if a friend is narrating, or use controllers to move and guide the story yourself. This freedom to explore and experience the story space is what sets it apart. Discover the new face of cinema, where rapidly advancing technology and art meet and transform.

XR stands for eXtended Reality, encompassing Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR). VR involves wearing a Head Mounted Display (HMD) device to immerse yourself in a completely new 3D digital space. AR overlays digital content onto the real world, easily accessible through smartphones. MR combines VR and AR, recognizing real-world objects and creating a 3D virtual space around them. XR integrates all these technologies, offering increasingly realistic virtual worlds.

You can visit the exhibition site, register on the waiting list for the desired works, and view them. Please note that waiting times may be extended if there are many visitors.

¡°DoF stands for Degree of Freedom.¡± 3DoF works allow you to view from various angles by moving your head while wearing the device. 6DoF works enable you to move freely within the space, using controllers to interact with objects in the artwork, providing a more immersive experience.

Some XR works have age restrictions. You can check the viewing age for each work on the website and on-site before viewing. However, due to the nature of VR devices, it is recommended that minors with underdeveloped visual systems avoid excessive viewing for a safe and comfortable experience.

Due to the nature of VR devices requiring individual usage, group viewing is not available. Groups must use the waiting system individually.

The running time of each work varies from 15 to 90 minutes. Please refer to the website for the running times of the works you wish to view. Viewing all the content may require a week-long visit. To avoid discomfort or motion sickness, it is recommended to take sufficient breaks between viewings.