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2026 New Media selection

A Long Goodbye

  • Kate VOET, Victor MAES
  • Belgium, Luxembourg, The Netherlands
  • 2025
  • 30min
  • 6DoF interactive content
  • ©Cassette for timescapes_Tarantula_Valk Productions
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2026 New Media selection

A Long Goodbye

  • Kate VOET, Victor MAES
  • Belgium, Luxembourg, The Netherlands
  • 2025
  • 30min
  • 6DoF interactive content
  • ©Cassette for timescapes_Tarantula_Valk Productions
Viewing Information
Synopsis

A Long Goodbye tells the story of Ida, a 72-year-old pianist living with dementia. In this animated, interactive VR experience, we walk in Ida’s shoes. We experience a day in her life, as her reality is fading. The apartment, where she spent a lifetime with her beloved husband Daniel, first feels empty and undefined. When we interact with objects and play the tape recordings of her husband, her playful world gradually comes to life, as if drawn in paint before our eyes. Like pieces of a puzzle, memories and conversations help Ida to rediscover herself. But we also discover Daniel’s struggles, as he hopes to stay connected and realizes their remaining time together may be short. A Long Goodbye is a poetic experience about the impact of dementia, but above all it is about love and the long goodbye of two lovers who shared a life together.

Director
ÄÉÀÌÆ® º¸¿¡Æ®
Kate VOET

Kate Voet (1989, Belgium) is a film director and screenwriter of fiction projects. She studied directing and English literature in Amsterdam, New York and Brussels. Her projects have been selected for development labs and markets such as the Venice Gap-Financing Market, Torino Film Lab, and IDFA Doclab Forum. Her short films Les Homards Immortels (2017) and The Tears of Things (2021) toured festivals internationally and received several awards.

ºòÅÍ ¸Þ½º
Victor MAES

Credit
Producer
An OOST, Emmy OOST, Donato ROTUNNO, Richard VALK
Cast
Elizabeth COUNSELL(Voice Over UK), Richard WELLS(Voice Over UK), Marlies HEUER(Voice Over NL), Derek de LINT(Voice Over NL)
Viewing Information
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Encountering the Virtual and the Real:

A Beginner's Guide to XR

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Unlike simply watching a screen, XR allows you to step into the story space through VR devices. You may become the protagonist, listen to the protagonist's story as if a friend is narrating, or use controllers to move and guide the story yourself. This freedom to explore and experience the story space is what sets it apart. Discover the new face of cinema, where rapidly advancing technology and art meet and transform.

XR stands for eXtended Reality, encompassing Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR). VR involves wearing a Head Mounted Display (HMD) device to immerse yourself in a completely new 3D digital space. AR overlays digital content onto the real world, easily accessible through smartphones. MR combines VR and AR, recognizing real-world objects and creating a 3D virtual space around them. XR integrates all these technologies, offering increasingly realistic virtual worlds.

You can visit the exhibition site, register on the waiting list for the desired works, and view them. Please note that waiting times may be extended if there are many visitors.

¡°DoF stands for Degree of Freedom.¡± 3DoF works allow you to view from various angles by moving your head while wearing the device. 6DoF works enable you to move freely within the space, using controllers to interact with objects in the artwork, providing a more immersive experience.

Some XR works have age restrictions. You can check the viewing age for each work on the website and on-site before viewing. However, due to the nature of VR devices, it is recommended that minors with underdeveloped visual systems avoid excessive viewing for a safe and comfortable experience.

Due to the nature of VR devices requiring individual usage, group viewing is not available. Groups must use the waiting system individually.

The running time of each work varies from 15 to 90 minutes. Please refer to the website for the running times of the works you wish to view. Viewing all the content may require a week-long visit. To avoid discomfort or motion sickness, it is recommended to take sufficient breaks between viewings.