Choi Nagyong is the CEO of Cinema6411, a company that produces and distributes documentaries, and also serves as the President of the Korean Independent Cinema Association.

Lee Hwabae worked in film distribution, Korean film investment, and foreign film import and distribution at Cinema Service and Sidus. Since 2019, she has been teaching at the School of Convergence Arts at Chugye University for the Arts. In 2020, she published a specialized book on film business, Film is Distribution: Strategies and Practices for Box Office Success. In 2023, she founded and currently operates the film distribution company Lee Hawbae Company, Inc..

Studying in Paris during the 1980s, Lee bongwoo returned to Korea and founded the film company Cinequanon in 1989. Since then, he has produced and distributed over 250 films domestically and internationally. His distribution of Korean films such as Sopyonje (Im Kwontaek, 1993), Swiri (Kang Jekyu, 1999), Joint Security Area (Park Chanwook, 2000), Untold Scandal (Lee Jaeyong, 2003), Memories of Murder (2003, Bong Joonho), and Oasis (Lee Chang-dong, 2002) sparked the Korean Wave in Japan, earning him a Special Contribution Award at the Busan International Film Festival in 2003. He also produced and distributed Japanese films such as Where Is the Moon? (Choi Yang-il, 2004), Nobody Knows (Kore-eda Hirokazu, 2005), We Shall Overcome Someday! (Kazuyuki Izutsu, 2006), and Hula Girls (Lee Sang-il, 2007). In June 2023, he garnered significant attention by adapting the Korean film Parasite (Bong Joonho, 2019) into a theatrical play in Japan.

Goh youngjae produced numerous films, including Our School (Kim Myeong-joon, 2007) and Old Partner (Lee Chung-ryoul, 2008), and directed Song of the Poet: Jung Tae-chun (2022). As the former chairman of the Korean Independent Film Association, he participated in various initiatives such as the Filmmakers' Committee for the Sewol Special Law and the Ministry of Culture, Sports and Tourism’s Committee for Fact-Finding and Institutional Improvement regarding the Cultural Blacklist. He is currently the CEO of Indieplug, Inc.

Kim Seonah has worked as a producer and in production on various films, including Oneday (2016), Rikidozan: A Hero Extraordinary (Song Haesung, 2004), Save the Green Planet! (Jang Joonhwan, 2003), and One Fine Spring Day (2001), as well as the VR film Bloodless (Gina Kim, 2017). Currently, he teaches film at Dankook University's Department of Performing and Film Arts. Since 2021, he has served as the head of the Women in Film Korea organization, striving to create a diverse and equitable environment in the film industry. Additionally, he has been serving as the Vice Chairman of the Korean Film Council since 2022, contributing to the advancement of the film industry.

With extensive experience in various aspects of the film industry, including production, distribution, investment, and international business through roles at CJ CGV Movie Collage, China Film Business Team of MK Pictures, and Distribution Team of Showbox, Kim Yoonmi has a comprehensive understanding of the industry. In 2013, she founded the film company OAL, producing diverse films such as Okay! Madam (2020), Diva (2020), and Insane (2016). Additionally, she serves as a director of the Korean Film Producers Association, working on policies to advance the Korean film industry.

LEE Dongha participated as a producer in several notable films including the Korea-France co-production A Brand New Life (2009), the Cannes award-winning Poetry (2010), Hwayi: A Monster Boy (2013), and A Man and A Woman (2015). In 2014, he founded REDPETER FILMS and produced Train to Busan (2016), which was a major success domestically and internationally. He also produced Psychokinesis (2017), Another Child (2018), Birthday (2018), and Peninsula (2020). The 2024 Netflix series The Bequeathed topped the global non-English TV category. Currently, he is preparing for the release of TVING's documentary series Life Line: The Special Rescue Team 3 and the film Hideaway. In 2024, he was elected Representative Director of the Korean Film Producers Association (PGK).